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The World of Handheld Percussion
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It's a universal truth: A sad person can't hold a percussion instrument in their hand and stay sad. Shakers, blocks, clackers, and the like may provide the purest path to expressing a person's inner music. No, handheld percussion does not lend itself to solo performance, but it is essential garnish and flourish for many types of music ensembles. For the uninformed, the names of many percussion instruments are foreign. The sounds, however, are completely familiar, as they've been used for sound effects and cues in many television programs and movies. Some of these sounds are unmistakable and unmissable. They aren't necessarily louder than the drums, but the character of these instrument's sound is such that it cuts clearly through any level of drum, wind, or string layer. They're like jewelry on a well-dressed woman. They get noticed, no matter what
From a player's point of view, handheld percussion can function as an extension of a person's body, a direct link to musical expression. It's such a a satisfying experience to add your own kind of sparkle to a ensemble, enjoying the other musicians and even drummers, adding and not competing.
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Handheld percussion is accessible, too. Naturally, perfect selection, operation, and timing of any instrument requires talent and skill, but maracas, blocks, rasps, and many other supplemental rhythm instruments present no technical obstacles to a first attempt. Further, in a group setting where other instruments are dictating the beat, a newcomer has more freedom to experiment with, say maracas or castanets and learn technique and timing without throwing others off.
Great benefits of handheld percussion:
- Add some sparkle, variation, and punch to the main rhythm of a performance.
- Add subtle rhythm to an otherwise solo performance.
- Give a dancer a sound to make.
- Teach children about rhythm and help develop motor skills.
- It can foster wellness and healing in a rhythm therapy setting..
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A Pictorial Guide to Handheld Percussion
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A low resonation bell and sometimes a scraper.
These provide perfect punctuation for samba and
West African Yoruban music. |
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Far more complicated that a mere block of wood, these rhythm instruments are essential to many sound effects. |
Almost an extension of the hand, these instruments were born to be played while dancing. |
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A wooden bar inside the clapper bangs the cylinder wall as you shake the handle back and forth. |
Split bamboo sticks that "buzz" when you strike your palm with them. Cool sound! |
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Warning: This device may become addictive as you twirl the handle and strike alternate sides of the drum with the bead on a string. |
Classic shaker. Goes all the way back to seeds in dry gourds. |
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These long tubes contain beads. As they cascade down the tube and bounce off pins, they create a rain sound. |
These frogs make a chirping sound or rib-it sound, depending on whether you use the plectrum in the hole or along the back. |
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The repetitive sound of a tongue against a gear is great for the sound effect of something mechanical. |
Called claves and bones, these are simple hardwood sticks. Playing technique is what turns the high-pitched sound into essential percussion. |
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The striker is drawn across the washboard surface. |
Beads in containers, as simple as that. Choose from a variety of sizes and shapes for a variety of fun and a variety of sounds. |
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Sounds are produced by the backs of the spoon bowls striking each other. The paired spoons are slapped against hand and thigh. |
Beads attached to the end of springs strike the barrel when the handle is spun. |
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Vibraslap |
Reminiscent of a snake rattle, this device, also known as a
donkey call, is used extensively in Latin music. The sound
is heard in numerous action movies of the 70s and 80s.
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